Experiments NIME 2010
Some recordings for the paper "A left hand gesture caption system for guitar based on capacitive sensors", published at NIME 2010 (see Publications page).
| Section | mp3 | mid |
| 4.1. Finger Bars | frets.mp3 | frets.mid |
| 4.2. Chromatic scales | string1.mp3 | string1.mid |
| 4.3. Grace notes | grace1.mp3 | grace1.mid |
| 4.4. Diatonic scale | escala.mp3 | escala.mid |
| 4.5. Basic Arpeggios | arpeggio.mp3 | arpeggio.mid |
| 4.6. Hammer on/off | hammer1.mp3 | hammer1.mid |
| 4.7. Vibrato | vibrato1.mp3 | vibrato1.mid |
Audio files are captured using the built in microphone in our laptop. It acts as a reference for the acquired gestures in the MIDI file. We use 10 MIDI channels (one channel per sensor) and the capacitance is stored as Pitch Bend message for a higher resolution. Messages are not synchronized showing a sampling rate between 20 and 30[Hz].
Experiments CMMR 2010
Some recordings for the paper "Attack based articulation analysis of nylon string guitar", published at CMMR 2010 (see Publications page).
Articulation Examples
| Excerpt | wav | xml |
| No Articulation | ascNoartString3.wav ascNoartString4.wav |
|
| Ascending Legto | ascLegString3.wav ascLegString4.wav |
|
| Descending Legato | desLegString3.wav desLegString4.wav |
|
| Ascending Appoggiaturas | ascAppString3.wav ascAppString4.wav |
|
| Descending Appoggiaturas | desAppString3.wav desAppString4.wav |
Short Melodies
| Score | wav | xml |
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cmmrPhrase1.wav | cmmrPhrase1.xml |
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cmmrPhrase2.wav | cmmrPhrase2.xml |
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cmmrPhrase3.wav | cmmrPhrase3.xml |
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cmmrPhrase4.wav | cmmrPhrase4.xml |
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cmmrPhrase5.wav | cmmrPhrase5.xml |
Experiments SMC 2010
Recordings for the paper "Analyzing Left Hand Fingering in Guitar Playing", published at SMC 2010 (see Publications page).
Table 1 show the possible combinations for the most common finger position over 4 frets. We use the following nomenclature: 4 digits refer to 4 successive frets. Each digit corresponds to the number of fingers pressing at the same fret. These positions can be played in different hand positions and in different strings. 6 refers to bar activation, 1 refers to 1 finger activation at any string, 2 refers to 2 finger activation at the same fret at any strings, and 3 refers to 3 finger activation at the same fret at any strings. The highlighted combinations represent the recorded cases.
| 1st. fret | 1finger/fret | 2fingers/fret | 3fingers/fret |
|---|---|---|---|
| bar |
6000
6001
6010
6011
6100
6101
6110
6111
|
6200
6201
6210
6020
6021
6120
|
6300
6030
6003
|
| 1 finger |
1000
1001
1010
1011
1100
1101
1110
1111
|
1200
1201
1210
6020
6021
6120
|
1300
1030
1003
|
| 2 fingers |
2000
2100
2200
|
Table 2 shows a detailed list of all the recorded positions, specifying the played strings. Each recording includes the hand position moving from fret 1 to 7. The s1..s6 stands for the played string. Each string specification follows an ascending order from finger 1 to 4. For instance, 1110s5s4s6 stands for 1 finger over the 1st, 2nd and 3rd consecutive frets, with fingers pressing the 5th, 4th and 6th string, respectively.
MP3 files are recorded as an audio reference (not in studio) and the information in MID files is saved as Pitch-Bend information (higher resolution) for channels 1..10, according to the each fret (fret 1 is near the nut, and fret 10 is near the hole).




